AngrySailor
Veteran and General Yakker
- Joined
- Oct 15, 2014
- Messages
- 3,419
- Tagline
- ---not quite right
Just to add, if your not familiar with “active” crossovers, they’re signal level and generally have a slope of 24-32dB per octave.
They’re “rated” for 400w... I think driving one amp hard (clipping) was probably the cause? I’d like opinions on this as it seems better with more power. I think it’s a case of more clean power is easier on stuff than lots of dirty signal? Anyways it sounds good and that’s why I’m in the shop at 5:20 am making sure “my speakers are lubricated” (enjoying a beer)I think the reason your coil burned is because of the gauge of the coil. They are too small for that kind of power. My crossovers have 16g coils in them. And I'm running a wimpy 509wpc
There’s an active crossover sending 120hz and below to the big amps, 120hz and up to the stereo cabinets. I’m using a Rotel RA-1412 for its preamp section only.
Just to add, if your not familiar with “active” crossovers, they’re signal level and generally have a slope of 24-32dB per octave.
Lol. Those are in the three way cabinets being fed by the high frequency amp. The active crossover is in the blue rack mount unit above the amplifiers.I was looking at your burned crossover, that's a regular crossover Not for splitting the signal from the preamp...... c'mon man, do you have enough ventilation in their shop or are you sniffin the oil can.
Yes, they receive power from one of the high frequency amps. Signal rage is 120hz and up. They then split the signal to the three speakers in those cabinets. It’s a standard 3 way passive crossover except the lows were separated in the rack and sent to the sub amps.How are the Eminance crossovers (pictured) wired inside the speaker cabinet? input, W, M, T to corresponding speakers?
That is somewhat the point of splitting frequency at signal level in that you’re not wasting power amplifying signals you don’t want to use. It does free up ALOT of extra power. The sub amps don’t amplify highs that won’t be used and the high amps aren’t amplifying lows which would then have to be filtered out with a passive.We need Joe to chime in here,but if you are running stick crossovers in a 3 way cabinet with an active crossover cutting out everything from 120 down, to me , it would seem there is a lot of extra energy going to or available to the mids and tweets of the 3 way cabinet.
What cool is burnt in the 3 way passives?
That is somewhat the point of splitting frequency at signal level in that you’re not wasting power amplifying signals you don’t want to use. It does free up ALOT of extra power.
Here’s a signal path overview
Red is full range from the pre amp
Blue is summed mono lows, 120hz & down
Green is stereo high 120hz & up
The green left and right amps then send this amplified signal to the respective 3 way cabinets where it passes through the passive crossover and is sent to the w, m and tweeter.
It’s a 4 way system, sub 120 down, woofer 120-500, mid 500-3.5k, tweeter 3.5k and up.
Mono subs, stereo 3 way.
Edit: I should have drawn the high signal to show that it is separate left and right but I’m doing this on my phone. THERE IS a separate left and right line to the high frequency amps to maintain stereo output.
That’s cool! I’d love to have a rack of big PL amps, they’re just hard to come by as compared to the QSC stuff, way more pricey too! These amps all come from clubs or bars that shut down. I only got one from Craigslist and didn’t pay a whole lot for it.Somewhere in my collection of stuff is a "Interphase Acoustics" 4 way active (requiring external power) distribution box that was used in the Heart P.A. system many years ago. It was designed to go after a 4-way active crossover and before the amplifiers. In turn the distribution box provided outputs for (4) amplifiers each for lows, low mids, high mids, and highs for a total of (16) amplifiers.
If my memory serves me correct, the Audio Analysts Phase Linear 700 series II amps that Darrel F. has have some sort of passive distribution system (Audio Analysts S-4 Power System) at the top of each rack (that holds (4) amplifiers each). Somewhere in my collection is a schematic Darrel provided me with. Darrel has also used Crest and QSC amplifiers in his PA system over the years and he has told me he prefers the Phase Linear amps.
Just thinking about band equipment... my uncle owned one of only two alesis ADAT recorders in North America at that time. He was contacted by RUSH as they required it to record “Presto”. He got the next one available, I would have asked for THAT one back just for the cool factor.