So, the designed has been working with a big OEM to bring it to market (maybe)
Some changes were made, features reconfigured but overall, the same design from the same designer- built to a price point.
Anyway…
“ The "competition" includes a Pass X-25 and a Doshi V3.0 used with MC. They go for c. $10k and if I've got this right, $28k respectively, and the listeners at first thought the Doshi and the ex-DIY design were equivalent, then after some futzing around with cables and line conditioners, that the ex-DIY was best.
I take all of this with a grain of salt. All it means is that there is a general equivalence between the DIY design and the best commercial phono stages out there.
The most interesting thing is that the opamp based design completely lacks the false brightness that is usually assigned to those designs and was considered to be the "smoothest" and most "musical" of the three.
Who would have thought it ...”
It’s a good preamp. Once I hear who will market it, I’ll pass it along. Hopefully it’s less than ten grand…
Some changes were made, features reconfigured but overall, the same design from the same designer- built to a price point.
Anyway…
“ The "competition" includes a Pass X-25 and a Doshi V3.0 used with MC. They go for c. $10k and if I've got this right, $28k respectively, and the listeners at first thought the Doshi and the ex-DIY design were equivalent, then after some futzing around with cables and line conditioners, that the ex-DIY was best.
I take all of this with a grain of salt. All it means is that there is a general equivalence between the DIY design and the best commercial phono stages out there.
The most interesting thing is that the opamp based design completely lacks the false brightness that is usually assigned to those designs and was considered to be the "smoothest" and most "musical" of the three.
Who would have thought it ...”
It’s a good preamp. Once I hear who will market it, I’ll pass it along. Hopefully it’s less than ten grand…