That's where we differ. It's not really the fraction of an inch, it's the joy of having it and hearing it.
The record is a compromise. Two or more linear tracks are mixed and matrixed in a way that uses both sides and the bottom of groove to create an illusion of depth and separation that really never existed before it reached microphones and electronics. Then we force it into our heads as the representation of what happened and accept it as an actual fact.
The joy is discovering it.
The two or more linear tracks are a compromise, there is noise.
The amplifiers and instruments create noise, and the noise is revered for it's character.
Noise reduction tries to reduce unwanted noise.
Digital techniques and processors try to make a recording 'whole' again. In some ways they help. In others some lament that we'll never hear it the same way again.
To each their own, but the quest isn't there without the gift.