EQ's are something that I've never kicked, and I think that they are a healthy addiction.
I've had or have SAE, Soundcraftsmen, DBX, and Pioneer EQ's in my system since the 70's.
Agree with Nando about the need for correction of certain recordings; after all, EVERY recording studio uses them at most every stage of the recording process, and during mixdown. So you're by necessity listening to the engineer's best effort which is driven by his monitors, equipment, ears, and taste. Some recordings are lifeless until I boost the upper frequencies; some are too hot treble wise and need to be rolled off a bit.
Then there is the fact that my ears at age 61 aren't what they were when I was 15 before I would hang on the fence at Lion's drag strip 15 feet from top fuel dragster headers pouring 130 db at my ears!
Lately my SAE 2800 has spent some time with long cables running to the preamp which is in my studio at the rear of the photo (the last pix is through the double doors and looking left). That way I can put it in my lap and adjust from my "sweet spot."
I have noticed that the closer I get to audio nirvana in my equipment, the flatter the EQ curves tend to be.
Dave
I've had or have SAE, Soundcraftsmen, DBX, and Pioneer EQ's in my system since the 70's.
Agree with Nando about the need for correction of certain recordings; after all, EVERY recording studio uses them at most every stage of the recording process, and during mixdown. So you're by necessity listening to the engineer's best effort which is driven by his monitors, equipment, ears, and taste. Some recordings are lifeless until I boost the upper frequencies; some are too hot treble wise and need to be rolled off a bit.
Then there is the fact that my ears at age 61 aren't what they were when I was 15 before I would hang on the fence at Lion's drag strip 15 feet from top fuel dragster headers pouring 130 db at my ears!
Lately my SAE 2800 has spent some time with long cables running to the preamp which is in my studio at the rear of the photo (the last pix is through the double doors and looking left). That way I can put it in my lap and adjust from my "sweet spot."
I have noticed that the closer I get to audio nirvana in my equipment, the flatter the EQ curves tend to be.
Dave