Spence, I was lucky to have a good bud in Phoenix, Stephen Evans, who was an audiophile, and I use that term in a reverent way. He wasnt an in your face guy about it, he just loved good equipment and had a lot of it. A set of K's in the living room, a set of Infinity 4.5's in the bedroom , some 2.5's in the den, some JBL-L200's on the deck, and top notch equipment driving them. I felt lucky to be able to listen to that stuff at length, anytime we were there. Had some outrageous vinyl equipment. A Thorens TD 166 mkII, a Thorens TD 520, a Walker Phono pre and Walker Motor controller and carts and arms I can't pronounce, and the vinyl was up to snuff too...simply exquisite source material. A Wadia TOTL CD player , again, exquisite source material....I've heard a few good systems, but his were by far the best I had heard. And in all that stuff was a PL WOPL 400, had all the goodies. And some custom built copper heatsinks, he called it "The Silver Shadow" 400. He loved it. This guy sold Hi-Fi and managed 85 Tech-Hi Fi stores in the day gone by. Ran the trade show circuit withj the Carvers, D'agostinos, D'giornos, Curl, Walker, all the greats in the business, partied hard with em. Knew em personally, knew his shit too. I asked him flat out one day why he loved that little 400, he didn't say a word, just put on a drum reference CD of various drummers doing their solo, through the 400 and the JBL-L200's, had it cranked pretty well. I was mesmerised, the leading edges of the drum strikes were THERE, not hurried or strained just fucking THERE. he sat there just grinnin his shit eating grin he had, and let that CD play. He loved what the Pl topology did for music, not numbers, music...I'll never forget that day...fuckin legend man...