I'll have to look at The Beatles remixes. The White Album in its original form is likely my favorite Beatles album. Now I'm still pissed about Rubber Soul, the engineering on that one is terrible. Hard panned vocals, goopy euphonics, bad eq, distortion. The raw alternate takes off of Anthology II are much better IMO.
When they remix 'Rubber Soul' ... and if they approach it like 'Revolver' ... I think you will be pleased.
Since we've branched out to the Beatle remixes - here's my take on all that have been done so far:
Sgt Peppers? Take it or leave it. If you can EQ to your own taste within your system, I'm not convinced the remix yielded much.a The box set had a lot of cool outtake/demo material tho.
White Album? Everything sounds fuller to me with a real significant 'punch & presence' to the bass & drum playing. Birthday, Helter Skelter, Yer Blues, I'm So Tired really kick ass now. Not that they sucked before ... but the power factor is just more in-your-face. All the less hard rocking tracks sound like a veil lifted too. I personally think this album remix shows the most effort. But these things are highly subjective.
Abbey Road? Take it or leave it. I always thought it was already the best sounding Beatles album due to the state of the art at the time. To me, the original UK pressing is the best classic representation. The remix sort of a has a veil lifted too... where it sounds more like a modern day recording. 'I Want You' and 'Come Together' really peel paint now.
Let It Be? They de-Phil Spector'd it in a lot of ways and I think it's noticably more listenable. But it was never much high on my list anyway.
All Things Must Pass? (Harrison solo) This album sounds amazing. Much like The White Album, it's the closest thing to a complete transformation.
And George's vocals are haunting.
Revolver? Sounds richer & fuller. Taxman peels paint like never before. The elimination of the panning hard left & right stuff is the real win on this one.
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The one thing I will say about all of the remixes so far, in terms of the common denominators, is the benefit of pumped up percussion tracks, the more forward vocals and certain tracks having more perceivable space between the elements... 'air' I think they call it.