Hello George,
Wow, that is a great article. They did a lot of research to test the PL 1000.
The proof is really in the listening, and I am quoting how to adjust the Autocorrelator here:
"Autocorrelator
- Put on your recording, kick-in the Autocorrelator, turn the Auto Correlator knob all the way clockwise, and listen for the noise. Turn up the treble temporarily if it helps you hear the noise.
- As you turn the control counterclockwise, you'll hear a point at which the noise suddenly vanishes, but the music is untouched. Turn it farther, and the music suddenly will sound duller.
- Leave the knob halfway between these points."
It’s that easy, and you can quickly change from “noise” to clear playback just by pushing in the “AutoCorre”, button. The adjustment above varies (sometimes a lot) from recording to recording, so each must be dialed in each time, but it is very simple. That’s why I call it the Magic Noise Box. Used to really blow friends away with it, but I have a lot of late 50’s and early 60’s jazz, some of which I bought well used. The PL 1000 will take all of the hiss and crackle out of them, and just as the article says, it does not affect the music at all.
I was surprised when I got it, how much better it is than the Series II PL4000 Preamp with the built in Auto-Correlator in it. I have a couple of those (I think we all do in the back of a closet!), and used them when they were still relatively new. They worked but not like the PL 1000. I have my PL and Carver stuff in the walnut cases, and it looks great in the system that I have it hooked into. Cool addition that adds a lot when I need it.