Thanks Ed for taking the time to write this up. First I would like to lay out a bit of my background. I worked for a short time for Lockheed Martian, while there I got mil spec certified for soldering, pc board rework, and repair. I am not exactly new to working on vintage electronics over a period of near 20 years I built a business (The Jukeyard) buying, selling, restoring, and repairing jukeboxes specializing mostly in Seeburg's from the 50's era and all their accessories. I messed my back up and just could not move these old machines anymore some of them weigh up to 500lbs so with deep regret I ended up liquidating the business. I was then approached by an old friend who worked for a company based in MA. called Lexicon. They specialized in digital effects type processors for musicians and recording studios. He ended up becoming the father and head engineer of a revolutionary new product known as the MPX G2, it was a huge success and was used by pro musicians and top recording studios world wide and ended up with a cult like following that exists even to this day. Harmon Kardon ended up buying out Lexicon shut down the plant in MA and moved the offices out to CA. They outsourced all manufacturing to China and dropped most of the Lexicon line including the G2. Even though the G2 was dropped my friend went on to support it for the cult followers developing upgrade ROM chips and new software for it but then shortly ran into a problem. Parts used to build them were becoming obsolete and techs that were repairing them was drying up yet owners who love these vintage units wanted to keep them going. One of his biggest request from owners was where can they send them for repairs. This is where I entered the SMT digital world. We made some agreements and I took the repair work on on all vintage Lexicon products including the G2. After a few years he and I had a falling out so basically I told him to stuff the Lexicon repair work.
A jukebox has several key components of a combination of electrical and mechanical to make it work. The only component in a juke that has nothing to do with the operation of a juke is the amp. The amp in most jukes has nothing to do with the operation of the juke they have only 2 (early seeburg up to 1956) circuits that even touch the juke. They have of course the obvious one that goes to the stylus on the pickup arm to the preamp circuit in the amp and then a second muting circuit that would open the amps output circuit to the speakers when the pickup arm gets to the end of the record. In 1957 Seeburg introduced its first preamp that was mounted on the mech outside of the amp. This preamp was actually one of the first uses of a transistor used in commercial use. Then the other components include the mech, pin bank, selector, receiver (receives signals from the selector), coin mech, and lighting/animation that many of them had. Then of course the cabinet, the glass, the chrome, etc. The point here is I fully understand the importance of being meticulous and thorough especially on customers repair or restore work on vintage electronics.
I think most of us can agree we don't do this for money, in fact when all is said and done we make very little money at restoring vintage electronics considering the the cost of the unit to buy to restore, time, labor, materials, and cost of parts compared to what market value is of the unit. We do it cause we want to preserve these vintage/antique pieces of audio equipment. Our reward at least for me is to bring something back to new or in most cases better than new condition and hear that unit belt out music. I am now retired I am not looking to start another business of buy these things to repair to resell. I just want to end up with a PL amp for my own use, not to say if one fell in my lap I would repair it and pass it on so someone could enjoy it for hopefully many years to come. After all it is about preserving great vintage audio equipment for all to enjoy not for the money.