Yes, back on track to Larry's topic and question. The source components have as much to do with making a tape recording step up from good one into becoming a memorable one. But, there are some other inexpensive techniques which the user/recording person can utilize before making that step up to refining the front end of their system. With all the variants of blank tape out there, once you discover the one brand and type of tape, whether it is NOS, old tape worth recording over, or brand new tape, which your deck is set up for, that should be your starting point. If you don't have any external user biasing adjustments on your cassette deck that could limit the type of tapes you find that work well with your deck. With decks that have bias, eq, and level adjustments the user can tailor and dial in the tape correctly. You have more tapes to choose from, then. There are other advantages in knowing how to cheat on your deck. You could underbias a tape to change the output sound or recording to your liking. You could record as a Normal, while using a Type II tape to change the biasing, too. I won't go into the other essentials needed in recording (demagnetizing, tape path cleaning, setting input levels, ensuring the deck is in a good mechanical and electrical state) as that's already covered in the operating manual.
After all that, then you can tread into the waters of upgrading your source components or ICs. Good ICs should be a given, and although I haven't yet tested the Tara Lab cables, Larry, I don't doubt they would make a difference over basic RCA cables. Once I do test them, I'll post my findings.
Nando.