I enjoy reading through these distortion 'white papers'. There's always good takeaways from the individual perspective and good theories to ponder.
The problem is, I see very little presented in terms of human trials (blind tests) and/or controlled microphone tests to substantiate the qualitative value of what is heard or perceivable vs. what is easily measured at the internal electrical level - in most if not all white papers on the subject. In a somewhat related theme, I am certain I hear a warmth and positive change in cassette recordings that are sourced from CD that - without a doubt - others perceive as a negative change to the character of the intended sound, a muddiness -
a shift - or a distortion.
So in other words, these types of discussions paired with electrical theory are super interesting but at the end of the day ... mean what exactly ?
The external variables:
The sound producing actuator
The acoustical environment
The human ear
Mood
RH
This is why owning an AP ATS-1 is so intriguing.